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Remco de Fouw RHA

Remco de Fouw is a multidisciplinary artist based in the south east of Ireland. Primarily known for his public art commissions, he is also noted for his photograms, derived from a unique technique devised by the artist as far back as 1990. The artist works across a broad range of disciplines including stone carving, glass elements, installation and a combination of manipulated materials and found objects.

Remco is a member of the Royal Hibernian Academy Ireland, recipient of prestigious awards and his work is included in many collections.

Remco de Fouw RHA with the Voice in his workshop

The Artist's Work 

In the work of Remco de Fouw, one is presented with the creativity of somebody who brings us an interpretation of the world unique to his character and life’s journey. Carissa Farrell suggests in her essay on the artist and his work, that every one of us is hard-wired from childhood in how we understand the world and our place in it, before we are moulded by formal education. In many respects Remo de Fouw’s work is a testimony.

The son of post-war immigrants from the Netherlands, who both had a strong background in art and design, Remco was brought up in a creative household near the active stone quarries of the Dublin Mountains. With his mother’s darkroom at his disposal he had an early start experimenting in the techniques of photography.

Trained as a carpenter and joiner, craftsmanship is at the core of  Remco’s work. The skilled processes involved and engineered exactness is evident. The work though is more than this, and aims to explore dialectic tensions between abstraction and precision, between the unconscious and conscious, and between scientific enquiry and romantic transcendence. The effect is often to subvert the scientific reductionism and positivist World view from which ‘exactness’ is born.

There is something atavistic in the energies that the artist applies in the making of his work, both physical and conceptually, harking back to something ancient and ancestral in terms of our relationship with light, nature and environment. The essayist Caoimhín Mac Giolla Léith alludes to this in his essay relating to the photographic works when he refers to Remco as a night-raider of Nature’s hidden image-hoard.

Lest we think this story is all about harking back to the past, we are often reminded of the artist’s placement in the present, a “point of view” from which his perspective is drawn. Titles such as Perpetual Motion and Random Access Memory suggest that it is the exploration of the links, loops and overlays that perhaps best describes his practice.

Publications • Read more about the artist ➜

Commissions

  • 2024/2025 ‘Dandelion Clocks’ Tallaght and Connolly Hospitals & NCH Main Building, Dublin. (ongoing) 
  • 2023 ‘Sky Rivers’ Carlow Town Park, Carlow County Council, Leopardstown 
  • 2018 ‘Metropropolis,’ Collaborative Commission Central Park, Leopardstown 
  • 2017 ‘Atlas Axis’ Royal College of Surgeons, Dublin
  • 2014 ‘Waggle Dance’ Collaboration N.U.I, Maynooth 
  • 2013 A Voice Irish Prison Services Headquaters (OPW) Longford.
  • 2012 ‘Voice’ OPW Prison Services Headquarters, Longford
  • 2011 ‘A Wake’ Pobalscoil Inbhear Sceine Kenmare Co Kerry. 
  • 2011 ‘Nine Waves’ Pobalscoil Inbhear Sceine, Kenmare, Co. Kerry 
  • 2008 ‘Castleblayney Bombing Memorial’, Co. Monaghan
  • 2007  ‘Point of view’ Ballina, Co. Mayo.
  • 2007  ‘Eye Witness’ Ballina Mayo, Eye Witness.
  • 2008 ‘Free fall’ Drogheda Swimming Pool, Co. Louth
  • 2008  ‘Gods Navel’ Jury’s Hotel Charlotte Place Southampton UK 
  • 2005 ‘Silent Witness’ Meath County Council Offices Ashbourne. 
  • 2004 ‘Temple of the Waves’ Ballyheige Co Kerry.
  • 2002 The Great Book Of Gaelic ‘ Touring’
  • 2002 ‘Portmarnock Strand Eccentric Orbit’ Collaboration
  • 2002  ‘Sound Seeds’Glór Ennis Co. Clare.
  • 2000 ‘The Whoseday Book’ Irish Hospice Foundation.
  • 2000 ‘First Conundrum’ Edinburgh International Conference Centre.
  • 1998 ‘Turnstone’ Alma Place Monkstown Co. Dublin.
  • 1997 ‘Satellites’ Brú na Boinne Visitors Centre O.P.W. 
  • 1997 Meltdown’ Collaboration Newcastle Upon Tyne ‘
  • 1997 ‘In Touch’ Microsoft W.P.G.I. Leopardstown Dublin.
  • 1996 ‘Perpetual Motion’ Collaboration Naas By Pass. 
  • 1994 ‘The Green Machine’ The Green Building Temple Bar.
  • 1992  ‘Quintessometry’ Waterford Regional Hospital